Sculpture
All my sculptures are individual creations fusing natural stone, wood, flint, branches and rock. I gather these during my travels around the UK, the Costa Brava and France waiting to capture the moment when two or three of these elements speak to each other. No two creations are the same, each highly individual, ever changing, ever moving forward.
Tidal drift
A sculptural response to the waste, erosion, and coastal pollution shaping the coastline of East Sussex.
Created entirely from locally sourced materials to reduce transport impact, Tidal Drift is anchored by a trunk of Spalted beech timber — its natural shakes, viral markings, and green-toned colouring revealing the slow beauty of ageing wood. As the timber seasons, the surface continues to evolve, recording time within its texture.
Pebbles and flat sandstone gathered from intertidal beaches strengthen the connection to place, while discarded metal, recycled wire, and glass orbs introduce contrasting hard and soft forms throughout the sculpture. Together, these elements echo the fragile balance between nature and human impact along the shoreline.
Each sculpture contains a mirrored orb, reflecting the viewer from every angle. These mirrored surfaces invite a moment of self-reflection — encouraging us to consider our place within the environment, the impact we leave behind, and how lightly we should tread upon this precious world.
Caved beech
Spalted beech, with its intricate viral colouring and highly finished exterior, contrasts against the rough-hewn cave carved deep within the trunk. At its centre, a standing stone is restrained by recycled copper wire — held captive within the form.
The reverse surface of the beech bears markings inspired by beach stones hurled by waves against tidal groynes, capturing the force and rhythm of the sea. The sculpture explores tension between containment and erosion, refinement and rawness, permanence and decay.
Each sculpture contains a mirrored orb, reflecting the viewer from every angle. These mirrored surfaces invite a moment of self-reflection — encouraging us to consider our place within the environment, the impact we leave behind, and how lightly we should tread upon this precious world.
Enclosed stone
A creative interpretation of the tangled damage left by discarded metal and plastic across intertidal coastal zones.
Using found stone, driftwood, recycled metal, and locally felled birch, Enclosed Stone transforms pollution into sculptural form. Twisted materials intertwine with natural textures, reflecting both disruption and resilience.
Each sculpture contains a mirrored orb, reflecting the viewer from every angle. These mirrored surfaces invite a moment of self-reflection — encouraging us to consider our place within the environment, the impact we leave behind, and how lightly we should tread upon this precious world.
Wrapped
Sussex Oak, Ivy branches and welsh slate
Listening
Iroko African Hardwood,Sea weathered roman pottery shard, found stainless steel orbs and cast base
Tilted
Iroko Hardwood, found mirrored spheres and cast plaster base
Fractured and enclosed
Split Sussex beach flint pebble and section of Sussex beech tree