Sculpture

All my sculptures are individual creations fusing natural stone, wood, flint, branches and rock. I gather these during my travels around the UK, the Costa Brava and France waiting to capture the moment when two or three of these elements speak to each other. No two creations are the same, each highly individual, ever changing, ever moving forward.

  • Upright egg-shaped beech trunk with a slit down the front holding a column of stones and a mirrored orb, bound in rusty wire.

    Tidal drift

    A sculptural response to the waste, erosion, and coastal pollution shaping the coastline of East Sussex.

    Created entirely from locally sourced materials to reduce transport impact, Tidal Drift is anchored by a trunk of Spalted beech timber — its natural shakes, viral markings, and green-toned colouring revealing the slow beauty of ageing wood. As the timber seasons, the surface continues to evolve, recording time within its texture.

    Pebbles and flat sandstone gathered from intertidal beaches strengthen the connection to place, while discarded metal, recycled wire, and glass orbs introduce contrasting hard and soft forms throughout the sculpture. Together, these elements echo the fragile balance between nature and human impact along the shoreline.

    Each sculpture contains a mirrored orb, reflecting the viewer from every angle. These mirrored surfaces invite a moment of self-reflection — encouraging us to consider our place within the environment, the impact we leave behind, and how lightly we should tread upon this precious world.

  • Egg-shaped spalted beech trunk with a hollowed, whitewashed cave holding a standing stone and a mirrored orb, on a plinth in a garden.

    Caved beech

    Spalted beech, with its intricate viral colouring and highly finished exterior, contrasts against the rough-hewn cave carved deep within the trunk. At its centre, a standing stone is restrained by recycled copper wire — held captive within the form.

    The reverse surface of the beech bears markings inspired by beach stones hurled by waves against tidal groynes, capturing the force and rhythm of the sea. The sculpture explores tension between containment and erosion, refinement and rawness, permanence and decay.

    Each sculpture contains a mirrored orb, reflecting the viewer from every angle. These mirrored surfaces invite a moment of self-reflection — encouraging us to consider our place within the environment, the impact we leave behind, and how lightly we should tread upon this precious world.

  • Tall driftwood and birch stems rising from a white-painted log, with a pale stone and a pink pebble among them, outdoors.

    Enclosed stone

    A creative interpretation of the tangled damage left by discarded metal and plastic across intertidal coastal zones.

    Using found stone, driftwood, recycled metal, and locally felled birch, Enclosed Stone transforms pollution into sculptural form. Twisted materials intertwine with natural textures, reflecting both disruption and resilience.

    Each sculpture contains a mirrored orb, reflecting the viewer from every angle. These mirrored surfaces invite a moment of self-reflection — encouraging us to consider our place within the environment, the impact we leave behind, and how lightly we should tread upon this precious world.

  • A tall slice of dark slate rising from a tangle of gnarled ivy branches, set on a round oak plinth in a garden.

    Wrapped

    Sussex Oak, Ivy branches and welsh slate

  • Smooth hardwood oval with a hollowed white centre, beside a speckled pottery shard standing upright and polished steel balls, on a white base.

    Listening

    Iroko African Hardwood,Sea weathered roman pottery shard, found stainless steel orbs and cast base

  • Tilted hardwood ring with a white hollow on one side and a blue-green face on the other, and a mirrored sphere resting on a white base.

    Tilted

    Iroko Hardwood, found mirrored spheres and cast plaster base

  • Two halves of a split flint pebble sitting in a pale blue hollow on a round slice of beech, seen from above.

    Fractured and enclosed

    Split Sussex beach flint pebble and section of Sussex beech tree